Tag Archives: Daniel Way

Review: Deadpool #8

It’s so refreshing to see Deadpool with his own series again.  I have to admit, for all my love of Thor and the Cap being such amazing heroes, Marvel has some damn great anti-heroes, most certainly including Deadpool, who always sets off with the intention of selling to the highest bidder, and more often than not, tends to come home with no cash at all because much to his dismay, he did something stupid… like the ‘right thing.’

Lead up to the Story

Deadpool has been engaging in shenanigans as usual, been jumped by random b and c list villains, most recently Tiger Shark, out smarted friend and foe alike, and served up enemies to zombies.  Through all of this, he’s found out that both his friend Bob and Tiger Shark were hired to take him out.  The hit was put out by none other than Norman Osborn, or Oscorp.  Basically, if you weren’t paying attention, Norman Osborn is the new Tony Stark and runs the new SHIELD (called HAMMER).  He tricked the world into thinking he was a savior by killing the Scrull queen, using information that Deadpool got for Nick Fury.  All in all, Deadpool is pissed, and this is part 1 of what we can hope is a good old showdown at noon.

Plot Synopsis

Daniel Way has Deadpool begins his assault on Stark Tower.. Osborn Tower?  I don’t know.  He’s assaulting it anyway (this review is starting to sound more and more like a Deadpool comic).  As I said above, this is the first part of the story arc, called Magnum Opus, and is part 1 of 4.  It starts with just a little back story, and goes straight into action really.  Deadpool initially runs into some robotic traps, steals the Iron Man chest piece, throws some bad hair jokes Osborn’s direction, and begins his ascent.  We are then plunged into a classic Deadpool hallucination.  This one is a Jack and the Beanstalk parody, and although it is only a few pages in length, it falls sort of flat.  Not that it is bad, it just seems to be an unnessessary stopping point in the story, a storyline bottle neck of sorts.  As unfortunately for us that it does, things start going worse for Deadpool when he gets into a fight with his inner monologue, or readers.  I can never tell if the white boxes are supposed to be readers, a voice in his head, and if the yellow boxes are him thinking.  No matter what the case, they’re ignoring him, because when he reaches the top, it’s not Osborn who’s waiting for him, it’s the Thunderbolts.

Art Critique

The art is pretty well done, Paco Medina has the Deadpool look down to a T.  Explosions, guns, action scenes, he can do them with great skill.  Basically, everything that you are most likely to encounter in a standard issue of Deadpool.  Sometimes faces are an issue, and can come out disproportional (for example, see the recap page), but this is the exception rather than the rule.  The hallucination, which I mentioned was not my favourite part of the story, really gives Medina a chance to shine, and he takes it.  Everything is much more comic than usual, and I mean that in two ways.  First, it’s absolutely ridiculous, which is awesome, the adaptation of Jack and the Beanstalk is right on target.  Secondly, if you look behind the action, you’ll see that the background is actually made up of dots, as the old comics and newspapers were.  The only major criticism that I have is that when Deadpool takes the Iron Man chest piece, it’s not immediately apparent.  I had to look back and check a few times, and maybe this was intentional, but there could have been a larger colour and size difference.  That said however, the third page or so, the full page spread with Deadpool decked out to assault Stark/Osborn tower is pretty fantastic, it’s always great to see how each artist will render Deadpool fully equipped for action.

Is it Worth Buying?

I would say absolutely, this looks to be a good story arc.  We know that Daniel Way can write a good story, and he’s set it up perfectly for a high action comic in the next issue, with a great cliffhanger.  Even to non-deadpool fans, I would recommend picking up the next few issues of Deadpool.  The story is great, the art is great.  Daniel Way has come into his own with his ability to deliver one-liners befitting Deadpool, with just enough humor, and a few thrown in there that probably only make sense to Deadpool himself.  I will be looking forward to the next issue, to see how the merc with a mouth settles the score not only with the Thunderbolts, but also with the voices in his head.

EDIT: Magnum Opus is Deadpool 8-9 and Thunderbolts 130-131.

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YCR Presents: Thanksgiving Day Top 6 Marvel Titles to be Thankful For

Welcome one and all!  Welcome to the latest issue of Your Comic Relief presents.  This time?  Your top 6 comics to be thankful for this Thanksgiving!  Please take the time to comment and leave me some feedback!  It is much appreciated.

6. Incredible Hercules

A title that I am quite partial to, as I am a huge fan of Greek, Roman, Egyptian, and Norse mythology, Incredible Hercules took over from the Incredible Hulk after World War Hulk ended.  This issue has been faily reliable in terms of quality.  Hercules, accompanied by Amadeus Cho, has set off destroying just about anything in their path, and while much of this has been Cho’s conniving, it has also been Herc’s unpredictability that serves as the catalyst for their antics.  In fact, watching their interactions is one of the many joys this title offers.

5. Uncanny X-Men

Uncanny X-Men had some problems with messiah Complex, it really was just OK.  Not as awesome as it should have been or really as we were promised it would be.  However, the last 6-8 issues of Uncanny have been absolutely fantastic.  Another product of Brubaker’s undeniable, and often simply unbelievable contributions to Marvel.  Now co-authored by Matt Fraction and Ed Brubaker as of issue 502  My favourite part of the last 3 or so issues have been the (re)introductions of each of the characters in each issue, which the authors have taken as an opportunity to make some much appreciated jokes.  Of the jokes, I think the best one has to be calling Wolverine “ubiquitous,” meaning everywhere at once.  I have to assume this is a reference to Wolverine appearing in so many Marvel publications, I remember over the summer there was a week where he was in every single release, and I’m sure that can’t be the only time – just the time I noticed.  Another aspect of this that I have greatly appreciated is the expansion of Pixie as a character; previously a side character in the x-men B-team, but she is now turning into an actual relatable character.  This, mixed with the recent storyline, allows Uncanny X-Men to make the cut into the Your Comic Relief Thanksgiving Top 6.

4. Cable & Deadpool and Deadpool

I have included both titles in this, because in my mind, the star of C&D really was Deadpool, with Cable serving to create meaningful plot devices and serve as a rational figure by which we could appreciate how utterly absurd Deadpool is.  The last several issues of Cable & Deadpool, the “X and Deadpool” run, while we were supposed to believe Cable was dead.  Did anyone raelly think that?  The new Deadpool series features Deadpool still actively ambiguous about his allegiances, and whether this is a function of his dubious (at best) mental compas, or his ever blossoming psychosis, I don’t think even Marvel Knows.

3.  Wolverine Origins

Written by Daniel Way, and illustrated by Steve Dillon, Wolverine Origins has delivered unique story arcs to us all year.  With guest appearances from Deadpool, Captain America, and most recently Daken (Wolverine’s Son).  Probably one of the best arcs of the year in my opinion was the confrontation between Wolverine and Deadpool.  A matchup that people had been waiting for for years; while they did meet up in Cable & Deadpool, it was overhyped and anticlimactic at best.  This time, it went on for several issues, and really delivered.  This title has had the ability to run the gamut of emotional possibilities, from the more serious aspect of the Cap’s storyline to the sheer ridiculousness of Deadpool.  It didn’t stop there however, the story right now of Wolverine and Daken is a reminder to the seriousness of Wolverine’s past, the decisions he has had to make, and stands in stark juxtaposition to the humor of seeing the Wolverine-Deadpool confrontation through the warped mind and eyes of Deadpool.

2. Iron Man

This title has had its ups and downs as of late.  Back when it was Iron Man: Director of Shield, which was before 2008 if I’m not mistaken but bear with me, it was very hit or miss.  There was some subplot of “Iron Man might be Crazy!!!”  Very hit or miss unfortunately.  However, with the most recent story arc of nuclear threat (which as an aside, reminds me of the Ultimate Iron Man II series of 4), Tony Stark has had the opportunity to return to his self-sacrificing…. self.  If you get right down to it, I firmly believe that this is why the Director of Shield thing didn’t work out so well.  he had too much responsibility that he couldn’t afford to do something that everyone else saw as incredibly stupid.  More often than not, his decisions have been incredibly reckless, but he saw that it had to be done, and he was the only one who could do it, such as defusing a nuclear weapon about to go off.  As with Uncanny X-Men, the most recent story arc really makes this much more of a contender than it previously would have been, not to say that before this arc has been bad mind you!  Also, Warmachine is totally badass, and anyone who disagrees has to answer to giant space robot.  They should pay me to love Ironman and the Number One pick this much, am I right?  Now for the number one reason to thank marvel this Thanksgiving!

1. Captain America

Captain America has been Ed Brubaker’s work this year, and damn does he do good work.  In my opinion, this has been THE title to read this year.  Every issue has just been stellar.  I’m not even sure to begin, and am a little ashamed that this paragraph is so much shorter than the others, but honestly, it’s just all good.  It is always the first comic I read whenever I get it home, bar none.  Bucky is shaping up to be a fantastic new Cap, ant the interplay between Faustis and the Red Skull has been fantastic, with plots within plots.  Agent 13 and Falcon have been well developed, but really, the best part has been how in each issue a little more of the Skull’s plot has been revealed to us.

Well, that’s that.  Those of you that know me may have noticed something.  Where’s Thor? Thor this year has been rather lackluster this year, and much to my chagrin (I’m trying to use that word more often, as I always have to look it up).  And this makes Thor sad:

While there have been some cool Thor tie ins, the Secret Invasion was entertaining if nothing else, the bit that happened about Egypt was pretty cool too, and was a cool insight into how the Marvel universe allows for seperate sets of deities, especially if you read the Incredible Hercules as well, issues like 114-117 or something like that.  But I decided to limit myself to regular titles, and not consider limited series such as Logan by Marvel Knights (which is beyond fantastic by the way), or the numerous Thor extra releases recently.  Once again, let me know what you think of my list, and, if any comic bloggers who are big DC fans would like to do a DC version, I would be honored to publish it, and of course link to it.  Just in the spirit of fairness, I would like to have a DC version, but in the spirit of honesty I don’t know much about DC.  That’s it for YCR Presents, have a happy thanksgiving!

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Review: Wolverine: Origins #23

No, this isn’t the correct cover at all, my usual method of getting the cover art is not working this time.

 

Lead-up to the Story

Well, not too much really. Part one started with Deadpool trying to kill Wolverine, probably because he was hired to. I think that’s it; the last two issues have been pure fighting pretty much, it seems like this is probably premeditated because Deadpool, at times, seems to have a plan. He did drop a piano on Wolverine though, and called him a Canucklehead; that should be all the leadup you need, right? This is Deadpool, it’s not supposed to make sense!

 

Plot Synopsis

Wolverine: Origins is written by Daniel Way. Very similar to the lead-up information I gave, this comic is about a fight between Deadpool and Wolverine, complete with Deadpool’s inner monologue, which seems to contain two voices. This multiple personality deal is unexplained, but humerous none the less. The fight itself was eagerly anticipated, because the only other time they met, as far as I know was in the Cable & Deadpool issue entitled “Wolverine & Deadpool,” in which the fight lasted all of…. one panel. Wade Wilson got decapitated, and well, that was it. In this issue, Wilson struggles to fend off the formidable Wolverine, while simultaneously dealing with the very minor problem of having his fingers removed. There is an odd scene in which we see someone walking into a room with a captain America costume lying on the bed, and then Wolverine gets hit with an explosion, something that he seems to deal with a lot. This brings up two problems for this reader. The first of which is that Wolverine’s healing factor seems to have skyrocketed in effectiveness recently, possibly due to the way it was portrayed in the movies. Secondly, it was a freaking explosion! That should do more than the slight cosmetic damage we’re shown, I know his healing factor has been put into overdrive for no known reason recently, but there should be more damage than that! The comic ends with both of them inflicting mortal wounds upon each other, and ending in a somewhat homoerotic pose, ‘dying’ in each other’s arms.

 

Art Critique

The artist for Wolverine: Origins is Steve Dillon, an accomplished artist who is well known for his work on Preacher and Hellblazer. Unfortunately, he just can’t seem to get Wolverine’s face right. It is apparent from the first few pages that there is something distinctly wrong about him. Most of the problem is in the eyes I think, or at least that’s where the problem starts. Wolverine is a damaged goods; he’s insane, he’s also calculating and methodical (they even address that in this issue), but he just doesn’t look it. He just either ends up looking happy, surprised, or constipated. This is all very unfortunate, and I am putting down Steve Dillon a lot, but be sure to understand, I do not dislike his art, everything else is very good, he just doesn’t seem to have gotten Wolverine’s face correct enough for me.

 

Is it Worth Buying?

If you have ever wanted to see the showdown between Wolverine and Deadpool, this, and the two issues before it, are worth purchasing, but otherwise, I would say “not really.” Nothing in this run of Origins really strikes me as fantastic, however, the under-par artwork is saved by Daniel Way’s incredibly good grasp on how Deadpool should be written, it’s funny, there’s a joke in the middle of a fight (which I stole and retold yesterday), and Deadpool is flinging around half-formed insults like it’s his…. Well, it kind of is his job, isn’t it?

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