So, as an update on my comic-marathon, I’d just like to say that I finished Logan #2, and holy crap. The first one was amazing, and the second one blew me away. I know some people harbor misgivings about Marvel Knights because of some sub-par titles in the past, but right now Marvel Knights is on fire. The last few series they have put out, Captain America: The Chosen, Silver Surfer: Requium, and now Logan do nothing but prove it. Sure, Chosen kinda ran along 1-2 issues more than it had to, but I wish Logan was packing more than three issues. This is just spectacular, and to anyone who hasn’t read it yet, get on that, even if you’re a die-hard DC fan, I want you to go read this. Feel free to comment if you disagree, maybe drop me a line, I’d like to know if anyone out there feels the same way I do.
Tag Archives: Logan
No, this isn’t the correct cover at all, my usual method of getting the cover art is not working this time.
Lead-up to the Story
Well, not too much really. Part one started with Deadpool trying to kill Wolverine, probably because he was hired to. I think that’s it; the last two issues have been pure fighting pretty much, it seems like this is probably premeditated because Deadpool, at times, seems to have a plan. He did drop a piano on Wolverine though, and called him a Canucklehead; that should be all the leadup you need, right? This is Deadpool, it’s not supposed to make sense!
Wolverine: Origins is written by Daniel Way. Very similar to the lead-up information I gave, this comic is about a fight between Deadpool and Wolverine, complete with Deadpool’s inner monologue, which seems to contain two voices. This multiple personality deal is unexplained, but humerous none the less. The fight itself was eagerly anticipated, because the only other time they met, as far as I know was in the Cable & Deadpool issue entitled “Wolverine & Deadpool,” in which the fight lasted all of…. one panel. Wade Wilson got decapitated, and well, that was it. In this issue, Wilson struggles to fend off the formidable Wolverine, while simultaneously dealing with the very minor problem of having his fingers removed. There is an odd scene in which we see someone walking into a room with a captain America costume lying on the bed, and then Wolverine gets hit with an explosion, something that he seems to deal with a lot. This brings up two problems for this reader. The first of which is that Wolverine’s healing factor seems to have skyrocketed in effectiveness recently, possibly due to the way it was portrayed in the movies. Secondly, it was a freaking explosion! That should do more than the slight cosmetic damage we’re shown, I know his healing factor has been put into overdrive for no known reason recently, but there should be more damage than that! The comic ends with both of them inflicting mortal wounds upon each other, and ending in a somewhat homoerotic pose, ‘dying’ in each other’s arms.
The artist for Wolverine: Origins is Steve Dillon, an accomplished artist who is well known for his work on Preacher and Hellblazer. Unfortunately, he just can’t seem to get Wolverine’s face right. It is apparent from the first few pages that there is something distinctly wrong about him. Most of the problem is in the eyes I think, or at least that’s where the problem starts. Wolverine is a damaged goods; he’s insane, he’s also calculating and methodical (they even address that in this issue), but he just doesn’t look it. He just either ends up looking happy, surprised, or constipated. This is all very unfortunate, and I am putting down Steve Dillon a lot, but be sure to understand, I do not dislike his art, everything else is very good, he just doesn’t seem to have gotten Wolverine’s face correct enough for me.
Is it Worth Buying?
If you have ever wanted to see the showdown between Wolverine and Deadpool, this, and the two issues before it, are worth purchasing, but otherwise, I would say “not really.” Nothing in this run of Origins really strikes me as fantastic, however, the under-par artwork is saved by Daniel Way’s incredibly good grasp on how Deadpool should be written, it’s funny, there’s a joke in the middle of a fight (which I stole and retold yesterday), and Deadpool is flinging around half-formed insults like it’s his…. Well, it kind of is his job, isn’t it?
Lead-up to the Story
If you have not been reading The New Avengers recently, you probably should. I feel like I end up saying that a lot. But the coming Scrull secret invasion story starting in April started in New Avengers. Basically, the Scrulls are invading, not just the United States, but the whole world. Several characters have already been revealed as scrulls, for a full listing, visit my friends over at Panels of Awesome for a full list. Make sure to check out the Awesome Arena while you’re there!
Having just returned victorious, the New Avengers are jumped by the Hood and his new gang, who manage to break though Dr. Strange’s protection on his house. A fight ensues, and true to his usual caliber, Brian Michael Bendis delivers an amazing fight scene, complete with witty dialogue that is true to each individual character. I have talked about this before, in one of my Rapid Fire Review sessions. Most writers can do one style, for example they can write Spider-man’s witty one-liners, or Luke Cage’s angry dialogue, but very few writers have the ability to make these different characters individual styles play of each other well. Bendis really is one of the best writers that Marvel has at its disposal, and this makes New Avengers a great read. Back to the storyline however, Dr. Strange was injured after his last confrontation with the Hood, and this time, it gets no better, Dr. Strange is shot, and must use dark and dangerous powers to finish off the intruders. But SHIELD is watching, but in a strange, but not overly unexpected twist, Ms. Marvel lets them escape, even though it looks like her team could mutiny at any minute. The book ends on that cliffhanger, as well as Jessica looking for sanctuary in Stark tower, with her baby, who we know is a scrull.
Carlo Pagulayan is the penciler and Jeff Huet is the inker. The art is busy, very busy, but not to the point that it is detracting from the story too much. There is a lot going on in almost every panel, and it never seems to be overpowering. To be honest though, and that’s something I strive for in these reviews, the sheer number of characters that are involved in the story is daunting; I encourage everyone that owns this comic book to open the front cover, and look at the number of characters listed there, all 36 of them. Each fight panel has so much going on, it actually reminds me of a Where’s Waldo picture, there’s a lot going on, and you could just look for the main point of the action, but if you actually take the time to really look at what’s going on, you can see so much more. This leads, in my opinion, to a greater appreciation of not only the art, but amount of effort and thought that the artists put into every comic.
Is it Worth Buying?
Usually for annuals, I would say no, but I highly recommend it, because annuals are usually pretty sweet. This one however, ties in closely with the story, and looks like it will be important to fully understanding the secret invasion summer crossover. So I would say yes it is worth buying on both accounts; important for understanding the overall Marvel storyline, and also for its own sheer enjoyment.