Tag Archives: Wade Wilson

Review: Deadpool #8

It’s so refreshing to see Deadpool with his own series again.  I have to admit, for all my love of Thor and the Cap being such amazing heroes, Marvel has some damn great anti-heroes, most certainly including Deadpool, who always sets off with the intention of selling to the highest bidder, and more often than not, tends to come home with no cash at all because much to his dismay, he did something stupid… like the ‘right thing.’

Lead up to the Story

Deadpool has been engaging in shenanigans as usual, been jumped by random b and c list villains, most recently Tiger Shark, out smarted friend and foe alike, and served up enemies to zombies.  Through all of this, he’s found out that both his friend Bob and Tiger Shark were hired to take him out.  The hit was put out by none other than Norman Osborn, or Oscorp.  Basically, if you weren’t paying attention, Norman Osborn is the new Tony Stark and runs the new SHIELD (called HAMMER).  He tricked the world into thinking he was a savior by killing the Scrull queen, using information that Deadpool got for Nick Fury.  All in all, Deadpool is pissed, and this is part 1 of what we can hope is a good old showdown at noon.

Plot Synopsis

Daniel Way has Deadpool begins his assault on Stark Tower.. Osborn Tower?  I don’t know.  He’s assaulting it anyway (this review is starting to sound more and more like a Deadpool comic).  As I said above, this is the first part of the story arc, called Magnum Opus, and is part 1 of 4.  It starts with just a little back story, and goes straight into action really.  Deadpool initially runs into some robotic traps, steals the Iron Man chest piece, throws some bad hair jokes Osborn’s direction, and begins his ascent.  We are then plunged into a classic Deadpool hallucination.  This one is a Jack and the Beanstalk parody, and although it is only a few pages in length, it falls sort of flat.  Not that it is bad, it just seems to be an unnessessary stopping point in the story, a storyline bottle neck of sorts.  As unfortunately for us that it does, things start going worse for Deadpool when he gets into a fight with his inner monologue, or readers.  I can never tell if the white boxes are supposed to be readers, a voice in his head, and if the yellow boxes are him thinking.  No matter what the case, they’re ignoring him, because when he reaches the top, it’s not Osborn who’s waiting for him, it’s the Thunderbolts.

Art Critique

The art is pretty well done, Paco Medina has the Deadpool look down to a T.  Explosions, guns, action scenes, he can do them with great skill.  Basically, everything that you are most likely to encounter in a standard issue of Deadpool.  Sometimes faces are an issue, and can come out disproportional (for example, see the recap page), but this is the exception rather than the rule.  The hallucination, which I mentioned was not my favourite part of the story, really gives Medina a chance to shine, and he takes it.  Everything is much more comic than usual, and I mean that in two ways.  First, it’s absolutely ridiculous, which is awesome, the adaptation of Jack and the Beanstalk is right on target.  Secondly, if you look behind the action, you’ll see that the background is actually made up of dots, as the old comics and newspapers were.  The only major criticism that I have is that when Deadpool takes the Iron Man chest piece, it’s not immediately apparent.  I had to look back and check a few times, and maybe this was intentional, but there could have been a larger colour and size difference.  That said however, the third page or so, the full page spread with Deadpool decked out to assault Stark/Osborn tower is pretty fantastic, it’s always great to see how each artist will render Deadpool fully equipped for action.

Is it Worth Buying?

I would say absolutely, this looks to be a good story arc.  We know that Daniel Way can write a good story, and he’s set it up perfectly for a high action comic in the next issue, with a great cliffhanger.  Even to non-deadpool fans, I would recommend picking up the next few issues of Deadpool.  The story is great, the art is great.  Daniel Way has come into his own with his ability to deliver one-liners befitting Deadpool, with just enough humor, and a few thrown in there that probably only make sense to Deadpool himself.  I will be looking forward to the next issue, to see how the merc with a mouth settles the score not only with the Thunderbolts, but also with the voices in his head.

EDIT: Magnum Opus is Deadpool 8-9 and Thunderbolts 130-131.

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Review: Wolverine: Origins #23

No, this isn’t the correct cover at all, my usual method of getting the cover art is not working this time.

 

Lead-up to the Story

Well, not too much really. Part one started with Deadpool trying to kill Wolverine, probably because he was hired to. I think that’s it; the last two issues have been pure fighting pretty much, it seems like this is probably premeditated because Deadpool, at times, seems to have a plan. He did drop a piano on Wolverine though, and called him a Canucklehead; that should be all the leadup you need, right? This is Deadpool, it’s not supposed to make sense!

 

Plot Synopsis

Wolverine: Origins is written by Daniel Way. Very similar to the lead-up information I gave, this comic is about a fight between Deadpool and Wolverine, complete with Deadpool’s inner monologue, which seems to contain two voices. This multiple personality deal is unexplained, but humerous none the less. The fight itself was eagerly anticipated, because the only other time they met, as far as I know was in the Cable & Deadpool issue entitled “Wolverine & Deadpool,” in which the fight lasted all of…. one panel. Wade Wilson got decapitated, and well, that was it. In this issue, Wilson struggles to fend off the formidable Wolverine, while simultaneously dealing with the very minor problem of having his fingers removed. There is an odd scene in which we see someone walking into a room with a captain America costume lying on the bed, and then Wolverine gets hit with an explosion, something that he seems to deal with a lot. This brings up two problems for this reader. The first of which is that Wolverine’s healing factor seems to have skyrocketed in effectiveness recently, possibly due to the way it was portrayed in the movies. Secondly, it was a freaking explosion! That should do more than the slight cosmetic damage we’re shown, I know his healing factor has been put into overdrive for no known reason recently, but there should be more damage than that! The comic ends with both of them inflicting mortal wounds upon each other, and ending in a somewhat homoerotic pose, ‘dying’ in each other’s arms.

 

Art Critique

The artist for Wolverine: Origins is Steve Dillon, an accomplished artist who is well known for his work on Preacher and Hellblazer. Unfortunately, he just can’t seem to get Wolverine’s face right. It is apparent from the first few pages that there is something distinctly wrong about him. Most of the problem is in the eyes I think, or at least that’s where the problem starts. Wolverine is a damaged goods; he’s insane, he’s also calculating and methodical (they even address that in this issue), but he just doesn’t look it. He just either ends up looking happy, surprised, or constipated. This is all very unfortunate, and I am putting down Steve Dillon a lot, but be sure to understand, I do not dislike his art, everything else is very good, he just doesn’t seem to have gotten Wolverine’s face correct enough for me.

 

Is it Worth Buying?

If you have ever wanted to see the showdown between Wolverine and Deadpool, this, and the two issues before it, are worth purchasing, but otherwise, I would say “not really.” Nothing in this run of Origins really strikes me as fantastic, however, the under-par artwork is saved by Daniel Way’s incredibly good grasp on how Deadpool should be written, it’s funny, there’s a joke in the middle of a fight (which I stole and retold yesterday), and Deadpool is flinging around half-formed insults like it’s his…. Well, it kind of is his job, isn’t it?

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Top 5 Comic Book Fights of 2007

For the final post of 2007, Your Comic Relief is bringing you my personal opinions (also known as fact) on the top five comic book fights of two thousand and seven. This list is not all inclusive as I have not read every comic from 2007, but from what I’ve read, and what I remember from the beginning of the year (I think these are all from more recent memory, but I gave it a good think), I present you with The Top 5 Comic Book Fights from 2007!

5 – “Patches Malone” vs would be assassins

 

Seen in Gotham Underground #2, this one sneaks in at slot number five because it shows just how amazing Bruce Wayne is. Many comic book fight scenes are drawn out, so that the reader can see each individual motion that the characters are performing. While this is often a good tactic on the part of the writer/artist, this one is awesome by virtue of its exceptionally short length. Weighing in at one page, of which only three panels are of fighting, Bruce beats the snot out of some hired prison goons, in Blackgate Prison. The thugs get the drop on him, and Patches takes them down, with one hand, while holding his food tray, informing them he would greatly appreciate being allowed to eat in peace. Not many fighters from Marvel, DC, or any other publisher could manage to pull this off, and he has them on the floor within one to two hits each. Well done Bruce Wayne.

4 – Iron Man vs The Incredible Hulk

 

Brought to us through the Iron Man – World War Hulk tie in, in Iron Man #19, this fight would have been mediocre at best without the commentary in nearly every panel. As Tony Stark dons the Hulkbuster armour, a speech is being given during the fight, if we allow ourselves to suspend our disbelief that Stark could come up with this while getting pounded by the Hulk, or perhaps believe that it is pre-recorded, the words actually manage to elevate this fight from decent to outstanding. Good enough to send shivers down most people’s spines, as Tony explains his reasoning behind his decisions, and suits up to fight what could potentially be his final battle. Usually we don’t consider the text to be important to the fighting, but in this case, Christos N. Gage has shown us exactly what can be achieved through a proper combination of the two.

3 – Deadpool vs Sabertooth

 

Located in Cable & Deadpool #41, this has all the hallmarks of a hilarious encounter with Deadpool. Starting from the beginning however, there is an amazing lead up to the fight with Domino’s line “Even if I did, I won’t be getting a word in edgewise…” As Deadpool parachutes in and does what he does (or what Wolverine does, but not quite as well, we can never be sure). There were two main selling points on this, the first was that it was an entirely selfless act by Deadpool, and the second was the full page of Wade Wilson unloading round after round, and clip after clip into Sabertooth, while singing, ending with “Hey, look at that. No mo’ buwwets.” To humiliate him even further, he was laughing at Sabertooth while he shuffled around with his tendons shot to pieces, like “Taylor Hicks trying to do Swan Lake.” As great as it was, and as hilarious as Deadpool can be, it ends with Cable telekinetically throwing him in a direction picket at random, ending the issue with a laugh.

2 – Obi-wan Kenobi vs Darth Krayt

Dark Horse makes it into the top 5, and before I get any nitpicking comments, he wasn’t Darth Krayt yet when he fought Obi-wan, he was still simply A’sharad Hett. Carrying on, this one can be found in Star Wars: Legacy #16, and could deserve to be on this list simply by virtue of having lightsabers, or by featuring Obi-wan, one of my favourite Star Wars characters of all time, and I know quite a few of them. The fight is set on Tatooine, and tells the story of Obi-wan’s secret mission to protect Luke Skywalker as he grew up on the remote planet. This assumed, but previously untold story of Obi-wan’s duty is a great revelation, and it is phenomenal to see it represented graphically in a comic book. Simply put, the artist Jan Duursema, manages to give this fight a sense of speed and urgency that is merely attempted by other artists. This is no mere feat in and of itself, but he keeps it up for just over four pages with no dialogue save some “oof” speech bubbles. Obi-wan exiles the shamed Master Hett, and he swears to leave Tatooine and never return.

 

1 – Thor vs Iron Man

 

Thor #3; in my opinion possibly the best comic released this year. During Civil War, Tony Stark used Thor’s genetic code to create a Thor clone, which killed Goliath. Now Thor has returned, and needless to say, Thor is pissed. Thor once said that he never used more than 1/3 of his Asgardian might fighting any mortal, for fear of killing them, but right now, he’s pretty freaking pissed, and it doesn’t help that Iron Man has appeared on SHIELD business, and is upset about Thor basically stealing American Soil, and making a new Asgard on it (see Thor 1 & 2). To quote Thor himself “You defiled my body, desecrated my trust, violated everything that I am. Is this how you define friendship? Is it?” He then uses the mighty Mjolnir to produce a substantial throbbing in Tony Stark’s chest. Similar to how the Patches Malone fight was awesome because they couldn’t touch him, Iron Man throws everything he has at Thor, and he never stands a chance. He tells Iron Man what’s up, and notes that they will finish “discussing” the violation of his person.

 

 

 

That’s it for the Top 5 Fights of 2007, other fights that were considered were Iron Man & Captain America vs mecha-Thor in What If? Civil War, Amadeus Cho vs just about anything in the recent World War Hulk, also from WWH was Ghost Rider vs Hulk in Ghost Rider #13, and lastly Namor vs either Wolverine or Venom in Sub-Mariner: The Initiative issues #4 and 5 respectively. I look forward to hearing your input, and have a safe and happy new year! I will see you all again in 2008!

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